Ricardo Bofill Walden Plan Drawings
Built into the suburbs of Barcelona, in a town called Sant Merely Desvern, is an flat cake that looks like it came from a scientific discipline fiction moving-picture show. Walden-7 is a truthful, hidden gem of 1970s utopian design past architect Ricardo Bofill. Structure started in 1972 and over 45 years later, the tower block notwithstanding plays host to effectually 1,000 occupants.
TL;DR
Walden-seven is a utopian design that has stood the test of time...
31,140 thou2 (37243.xiii sq yd), 18 towers over 16 stories of apartments, and public conveniences. The name was inspired by B. F. Skinner'southward science-fiction novel, Walden Two, 1948. Ricardo Bofill has besides built his Architectural headquarters aslope it from a converted concrete manufactory.
Walden 7
Walden-7 is 31,140 chiliad2 (37243.13 sq yd), compromised of eighteen towers over 16 stories. It was designed to exist a self-contained "city within a urban center". Alongside the apartments, there are public spaces, coming together rooms, confined and shops on the ground floor, a small library, 7 interconnected interior courtyards, and even two swimming pools on the flat roof.
In that location are effectually 446 residences built from 30m2 (323 ft sq) modular, "cells". A studio is 1 prison cell, merely the apartments range from one-4 modules in size. Some are level and others run over 2 floors. Several of the apartments accept been joined together which means, these days it'southward almost impossible to know the exact number of apartments.
The concept
The original blueprint was for a much large complex. Information technology featured ii more tower blocks, and 2 lower buildings, all connected by groundfloor passages. However, this never came into fruition.
Walden-7 has never had a cardinal owner. Its idealist and utopian ethos inspired the kickoff moving ridge of residents: many middle-course, idealist, poets, and artists. Parties were reportedly regularly held on the rooftop and decisions were made via assemblies. Decorations all the same hint at Walden-7's maverick past, such equally lines of poetry on walls of the underground carpark and a nudist's placard on one of the terraces.
Walden-7 in the 21st Century
The 1960s and 1970s were no stranger to utopian compages, from the geometric and open up living designs of Renée Gailhoustet's Ivry-sur-Seine to the outrageous Arata Isozak'due south Cities in the Heaven concept.
Incredibly, unlike many of its contemporaries, the concept behind Walden-7 appears to have stood the examination of time. Both visitors and residents still sing its praises.
Times may have inverse, merely assemblies are withal held and a management squad is voted democratically. During the summertime months open up-air theater is held in one of the 7 interior courtyards and 0.vii% of the building's budget is donated to charity.
Even so, the design is non perfect. Walden-seven was originally covered in tiles. Unfortunately, these began to fall off and became quite a gamble. In 1995 they were mostly removed and the building was painted instead.
The proper noun
Walden-7 was named afterward B. F. Skinner's scientific discipline-fiction novel, Walden Two, 1948. The book depicts a utopian community where environmental factors are used to command behavior. You lot can certainly see where the idealism came from. In the book in that location were 6 Waldens and so, it was only logical, to name this project Walden-7.
La Fabrica
If you look at aeriform photographs of Walden-7, you'll see another iconic building, nestled into the landscape: La Fabrica – 1975: the Headquarters of Ricardo Bofill Taller de Arquitectura. This edifice was converted from a 1917 cement manufacturing plant: "La Auxiliar de la Construcción, SA".
When Ricardo Bofill get-go discovered the factory it was abased and partly in ruins. At that place were full of cement, stairs to nowhere, and reinforced concrete structures that had no function.
Surrealism in paradoxical stairs that atomic number 82 to nowhere; the absurdity of sure elements hanging over voids; huge but useless spaces of weird proportions, but magical because of their tension and disproportion. – Ricardo Bofill Website
Of the xxx silos, many were full of solid, compacted concrete. Huge amounts of concrete needed to exist chipped away and resculpted which took around 1 1/two years to complete. By the stop, simply 8 silos remained. These were converted to workshops, modeling labs, archives, and a library. While an industrial space was transformed into "the cathedral": x-meter high ceilinged venue, used for exhibitions, lectures, concerts, and cultural activities.
The cement was cleaned and plants were planted to abound back over the building. Eucalyptus, palms, olive trees and cypresses now cover the grounds and give the edifice a post-apocalyptic, rebirth.
Ricardo Bofill'southward office is a rather stunning, 4 meter high, minimalist room with pristine white, modernist walls. His family unit home is likewise located inside the building.
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